![]() ![]() ![]() It did not take him long to come up with a new plan. His close friends and fellow photographers, led by Joseph Keiley, encouraged him to carry out his dream and publish a new magazine, one that would be independent of any conservative influences. Alfred Stieglitz, by Alvin Langdon Coburn. Rather than continue to battle against these challenges, he resigned as editor of Camera Notes and spent the summer at his home in Lake George, New York, thinking about what he could do next. On the contrary, Stieglitz believed the photography is not just a mere source of documenting the facts nor a tool to copy painted art but a new way of expression and creation ( Pictorialism). He had spent the past five years as editor of the Camera Club's journal Camera Notes, where his efforts to promote photography as a fine art form were regularly challenged by the older, more conservative members of the Club who thought photography was nothing more than a technical process. He was not successful in the latter, and as a result by the spring of 1902 he was both frustrated and exhausted. He had been working for many years to raise the status of photography as a fine art by writing numerous articles, creating exhibitions, exhibiting his own work and, especially by trying to influence the artistic direction of the highly important Camera Club of New York. It has been called "consummately intellectual", "by far the most beautiful of all photographic magazines", and "a portrait of an age the artistic sensibility of the nineteenth century was transformed into the artistic awareness of the present day." Background Īt the start of the 20th century Alfred Stieglitz was the single most important figure in American photography. It presented high-quality photogravures by some of the most important photographers in the world, with the goal to establish photography as a fine art. Cover design by Edward Steichen.Ĭamera Work was a quarterly photographic journal published by Alfred Stieglitz from 1903 to 1917. Quarterly photographic journal (1903–1917) Cover of Camera Work, No 2, 1903. ![]()
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